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Edwin Sampson McNamee / Alvamine Bandy
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Edwin Sampson McNamee / Alvamine Bandy
| Husband: Edwin Sampson McNamee | |||
| Born: | 1844[1186] | at: | |
| Married: | at: | ||
| Died: | 24 Jan 1929[1187] | at: | |
| Father: | James McNamee | ||
| Mother: | Elizabeth Stevens Diuguid | ||
| Wife: Alvamine Bandy | |||
| Born: | ABT 1831[1195] | at: | |
| Died: | at: | ||
| Father: | |||
| Mother: | |||
| Children | |||
| Name: | Edwin Sampson McNamee Jr. | ||
| Born: | 1896 | at: | |
| Married: | at: | ||
| Died: | 1994 | at: | |
| Spouses: | |||
| Name: | Blanche McNamee | ||
| Born: | 1 Aug 1899 | at: | |
| Married: | at: | ||
| Died: | at: | ||
| Spouses: | (--?--) Marshall | ||
Pedigree Chart for: Edwin Sampson McNamee
/--
/--
| \--
/--James McNamee
| | /--
| \--
| \--
|--Edwin Sampson McNamee
| /--George Diuguid
| /--William Sampson Diuguid
| | \--Nancy Sampson
\--Elizabeth Stevens Diuguid
| /--George Diuguid
\--Susannah Thornhill
\--Elizabeth (Stevens) Stephens
Pedigree Chart for: Alvamine Bandy
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/--
| \--
/--
| | /--
| \--
| \--
|--Alvamine Bandy
| /--
| /--
| | \--
\--
| /--
\--
\--
@1 [1186] [S89]
- @2Page: p. 202
@1 [1187] [S89]
- @2Page: p. 202
@1 [1195] [S89]
- @2Page: p. 202
Josiah Parsons / Sarah Sheldon
| Husband: Josiah Parsons | |||
| Born: | 2 Jan 1682 | at: | Northampton, Hampshire, Massachusetts, United States |
| Married: | 22 Jun 1710 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 12 Apr 1768 | at: | Northampton, Hampshire, Massachusetts, United States |
| Father: | Joseph Parsons | ||
| Mother: | Elizabeth P. Strong | ||
| Sources: | [5176] | ||
| Wife: Sarah Sheldon | |||
| Born: | 16 Jul 1688 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 14 Dec 1738 | at: | Northampton, Hampden, Massachusetts, United States |
| Father: | Isaac Sheldon | ||
| Mother: | Sarah Warner | ||
| Sources: | [5177] | ||
| Children | |||
| Name: | Josiah Parsons [5180] | ||
| Born: | 14 Sep 1711 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | Nov 1711 | at: | |
| Spouses: | |||
| Name: | Josiah Parsons [5181] | ||
| Born: | 9 Jun 1713 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 23 May 1796 | at: | |
| Spouses: | |||
| Name: | Isaac Parsons [5179] | ||
| Born: | 23 Dec 1715 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 11 Jul 1798 | at: | Northampton, Hampshire, Massachusetts, United States |
| Spouses: | |||
| Name: | Enoch Parsons [5182] | ||
| Born: | 6 Sep 1717 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 23 Sep 1719 | at: | |
| Spouses: | |||
| Name: | Jacob Parsons [5178] | ||
| Born: | 20 Oct 1719 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 19 Jan 1795 | at: | Northampton, Hampden, Massachusetts, United States |
| Spouses: | |||
| Name: | Esther Parsons [5183] | ||
| Born: | 25 Jul 1721 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 12 Oct 1740 | at: | |
| Spouses: | |||
| Name: | Sarah Parsons [5184] | ||
| Born: | 29 May 1723 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 26 Feb 1807 | at: | Amherst, Ma |
| Spouses: | |||
| Name: | Hannah Parsons [5185] | ||
| Born: | 11 Jun 1725 | at: | Northampton, Hampshire, Massachusetts, United States |
| Died: | 1745 | at: | |
| Spouses: | |||
| Name: | Martha Parsons [3523] | ||
| Born: | 3 May 1727 | at: | , Chester, Hampden, Massachusetts, USA |
| Married: | at: | ||
| Died: | 23 Dec 1814 | at: | , Chester, Hampden, Massachusetts, USA |
| Spouses: | Martin Phelps | ||
Pedigree Chart for: Josiah Parsons
/--
/--
| \--
/--Joseph Parsons
| | /--
| \--
| \--
|--Josiah Parsons
| /--
| /--
| | \--
\--Elizabeth P. Strong
| /--
\--
\--
Pedigree Chart for: Sarah Sheldon
/--Ralph Sheldon
/--Isaac Sheldon
| \--Barbara Stone
/--Isaac Sheldon
| | /--Thomas Woodford
| \--Mary Woodford
| \--Mary Blott
|--Sarah Sheldon
| /--
| /--
| | \--
\--Sarah Warner
| /--
\--
\--
@1 [5176] [S44]
@1 [5177] [S44]
@1 [5180] [S44]
@1 [5181] [S44]
@1 [5179] [S44]
@1 [5182] [S44]
@1 [5178] [S44]
@1 [5183] [S44]
@1 [5184] [S44]
@1 [5185] [S44]
@1 [3523] [S44]
Charles E. Descoteaux / Marie-Mary Forand
| Husband: Charles E. Descoteaux | |||
| Born: | at: | ||
| Married: | at: | ||
| Died: | at: | ||
| Father: | |||
| Mother: | |||
| Wife: Marie-Mary Forand | |||
| Born: | ABT 1883 | at: | |
| Died: | at: | ||
| Father: | Nazaire Forand | ||
| Mother: | Marie Jessé Grondin | ||
| Children | |||
Pedigree Chart for: Charles E. Descoteaux
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/--
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| \--
|--Charles E. Descoteaux
| /--
| /--
| | \--
\--
| /--
\--
\--
Pedigree Chart for: Marie-Mary Forand
/--
/--Nazaire Forand
| \--
/--Nazaire Forand
| | /--Oliver Cromwell Phelps
| \--Marie-Philomène-Roxanne Phoebe
| \--Marie-Josephte Roi
|--Marie-Mary Forand
| /--
| /--
| | \--
\--Marie Jessé Grondin
| /--
\--
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Henry Grew Crosby / Mary Phelps Jacob
| Husband: Henry Grew Crosby | |||
| Born: | 4 Jun 1898 | at: | Boston, Suffolk, Massachusetts |
| Married: | 9 Sep 1922 | at: | |
| Died: | 10 Dec 1929 | at: | |
| Father: | |||
| Mother: | |||
| Sources: | [12973] | ||
| Wife: Mary Phelps Jacob | |||
| Born: | 20 Apr 1892 | at: | New Rochelle, New York, USA |
| Died: | 24 Jan 1970[5412] | at: | Rome, Italy |
| Father: | William Hearns Jacob | ||
| Mother: | Mary Phelps | ||
| Notes: | [5413] | ||
| Sources: | [5412] [5414] [5415] | ||
| Children | |||
Pedigree Chart for: Henry Grew Crosby
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/--
| \--
/--
| | /--
| \--
| \--
|--Henry Grew Crosby
| /--
| /--
| | \--
\--
| /--
\--
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Pedigree Chart for: Mary Phelps Jacob
/--William Hearn Jacob
/--Leonard Jacobs
| \--Ann Tucker
/--William Hearns Jacob
| | /--John Riker Lawrence
| \--Emma Lawrence
| \--Margarete Quick
|--Mary Phelps Jacob
| /--Walter Phelps
| /--Walter Phelps
| | \--Julia Beach
\--Mary Phelps
| /--Walter Phelps
\--Eliza Ann Schenk
\--Harriet Tilling Hart
[5413] The first modern brassiere to receive a patent and gain wide acceptance was a bra invented by a young New York socialite named Mary Phelps Jacob in 1910. Born on 20 April 1891 in New Rochelle, New York, "Polly" (as she nicknamed herself) was the daughter of a prominent New England family. Her ancestry included Governor Bradford, the Plymouth Colony's first governor, and Robert Fulton, developer of the steamboat. Polly's family was not fabulously rich, but her father had been raised, as she put it, "to ride to hounds, sail boats, and lead cotillions," and he lived high. She grew up, she later said, "in a world where only good smells existed." "What I wanted," she said of her privileged childhood, "usually came to pass." A childhood of privilege included private school, dancing school, and horse riding school. She was a rather disinterested student. One commentator writes that for the most part Polly "lived her life in dreams." (Wolff). In 1915, at age 24, Polly Jacob married Richard Rogers Peabody, son of one of the three great New England families. By the early 20th century a case could be made that the Peabodies had supplanted the Cabots and the Lodges as the most distinguished name in the area. She had for all intents and purposes arrived socially, having married into American aristocracy. But it was not to last. From the Corset to the Brassiere Up to this time, an unhealthy and painful device called a corset narrowed an adult women's waist to 13 or fewer inches. The corset is attributed to Catherine de Médicis, wife of King Henri II of France. She enforced a ban on thick waists at court attendance during the 1550s. For nearly 350 years, women's primary means of support was the corset, with laces and stays made of whalebone or metal. In 1875, designer Susan Taylor Converse created a garment called the "Union Under-Flannel" from woolen fabric. The garment is different to previous items as it has no-bones, eyelets, laces or pulleys. The garment was patented by manufacturers George Frost and George Phelps, but never gained much attention. In 1889, French-born corset-maker Herminie Cadolle invented a two-part undergarment. The top half of her 1889 invention was "designed to sustain the bosom and supported by the shoulders." (The bottom half was a corset that covered only the waist and rear.) She called it the 'Well-Being' or 'Bien-être'. Introduced in Paris, the Bien-être resembled a Victorian bikini. But Cadolle's far-sighted design seems to have been kept a close secret among her select customers. Later in 1893, Marie Tucek patented the first brassiere. Her device included separate pockets for the breasts, straps that went over the shoulder which were fastened by hook-and-eye closures. It looked very much like modern bras today, but Marie apparently failed to successfully market the patent. In 1910, Polly Jacob had just purchased a sheer evening gown for one of her social events. At that time, the only acceptable undergarment was a corset stiffened with whalebone. Polly found that the whalebones visibly poked out around the plunging neckline and under the sheer fabric. Dissatisfied with this arrangement, she worked with her maid to stitch two silk handkerchiefs together with some pink ribbon and cord. Polly's new undergarment complimented the new fashions introduced at the time. Family and friends almost immediately asked Polly to create brassieres for them, too. One day, she received a request for one of her contraptions from a stranger, who offered a dollar for her efforts. She knew then that this could become a viable business. The corset's reign was beginning to topple. Polly was the first to patent an undergarment named 'Brassiere' derived from the old French word for 'upper arm'. On November 3, 1914, the U.S. Patent Office issued a patent for the 'Backless Brassiere'. Her patent was for a device that was lightweight, soft and separated the breasts naturally. Polly christened her business with the name Caresse Crosby. While a definite improvement, her brassiere did not offer breasts a lot of support, and were more flattening than flattering. In fact, the breast flattening style was popularized by the Flapper look during the Roaring Twenties. With the popularity of actresses like Marilyn Monroe and Jane Russell, the present breast-enhancing style gained popularity during the thirties and forties. Running a business either was not enjoyable to Polly or she failed to properly market the product, for she soon sold the brassiere patent to the Warner Brothers Corset Company in Bridgeport, Connecticut, for $1,500 (or over $25,600 in today's money). Shortly afterwards, in 1917, the U.S. War Industries Board asked women to stop buying corsets to free up metal for war production. This step liberated some 28,000 tons of metal, enough to build two battleships. It has been said that the bra took off the way it did in large part because of World War I. The Great War shook up gender roles, putting many women to work in factories and uniforms for the first time. Women needed practical, comfortable undergarments. Warner went on to earn more than fifteen million dollars from the bra patent over the next thirty years. During the flat-chested Flapper era in the 1920's, a Russian immigrant named Ida Rosenthal noticed that a bra that fit one woman did not fit another woman of the same bra size. With the help of her husband William, they founded Maidenform. Ida was responsible for grouping women into bust size categories (cup sizes) and developed bras for every stage of life (puberty to maturity). In the 1930s, Warner produces the first popular all-elastic bra, which shows off a woman's curves. Polly Divorces Richard Peabody and Remarries After Polly sold her brassiere patent, she had two children: a son, William Jacob in 1916, and a daughter, Polly ("Poleen") the following year. Her husband Richard Peabody was a well-educated but undirected man and a reluctant father. She found he had only three real interests, all acquired at Harvard: to play, to drink, and to turn out, at any hour, to chase fire engines. He would soon suffer the personal consequences of his WWI experiences and became an alcoholic. Polly's life was difficult during the war years and when her husband returned home, significantly changed, her life soon changed abruptly too. The catalyst for Polly Peabody's transformation was her introduction and eventual marriage to Harry Grew Crosby, a wealthy scion of a socially prominent Boston family and another veteran and victim of the recent war. Harry attended private schools and until age 19 and he appeared to be well on the path to a comfortable life as a member of the upper middle class. His experiences in World War I changed everything. In the pattern of other sons of the elite from New England, he volunteered for the American Field Service Ambulance Corps. He served in the Second Battle of Verdun. After the Battle of Orme, his section (the 29th, attached to the 120th French Division) was cited for bravery, and in 1919 Crosby was awarded the Croix de Guerre. While completing school after WWI, Harry met Polly. She was 28, six years older than Harry, with two small children. By some accounts, Harry fell in love with Mrs. Peabody in about two hours. He confessed his love for her in the Tunnel of Love at the amusement park. Two weeks later they made love. Their scandalous courtship was the gossip of blue-blood Boston. Polly finally divorced Richard Peabody who was in and out of sanitariums fighting his alcohol abuse, and on September 9, 1922 Harry and Polly were married. Two days later they moved to France to join other American expatriates, probably much to the relief of their respective families. Harry at first worked for his famous uncle, American capitalist J.P. Morgan, who was also Harry's godfather, in a job arranged for him in a Paris bank. But he soon tired of work. Polly and Harry purchased a race horse and then two more. They traveled to North Africa where it is reported they first smoked opium, a habit to which they would return again and again. From 1922 to 1925, the Crosbys led the life of the rich expatriates. They lived a glamorous and luxurious lifestyle that included an "open marriage," a mutual suicide pact, and cremation instructions they carried with them. Their lifestyle was financed by selling the bonds and stocks whose dividends were previously the basis of Harry's income. Founded the Black Sun Press After publishing two volumes that they were unhappy with, the Crosbys found a master printer named Roger Lescaret whose previous work had been largely funeral notices. He printed Harry's poems in a fine edition. Harry and Caresse were very happy with the book, Red Skeletons. It contained illustrations by their friend Alastair (Hans Henning von Voight). The decided to found a press, first called éditions Narcisse— after their black whippet, Narcisse Noir. It was created to publish its founders' attempts at verse in beautifully bound, hand-set books. By the time the name of the press was changed in mid-1928 to the Black Sun Press, the careers of both the Caresse and Harry Crosby were in high gear. The Black Sun Press is famous for having published lavishly bound, typographically impeccable versions of unusual books, including The Fall of the House of Usher, their Hindu Love Book, and letters by Henry James to Walter Berry, Harry's cousin. As their literary tastes matured, they began to publish the works of their Parisian literary friends. This included D. H. Lawrence's The Sun and Escaped Cock (sometimes reprinted under the title The Man Who Died); James Joyce's Tales Told of Shem and Shaun (work — later incorporated into Finnegans Wake; and short stories by Kay Boyle. In 1929, their best year, they published fourteen works by James Joyce, Ernest Hemingway and Ezra Pound, among others. Caresse published her own book of poetry, Crosses of Gold. In 1928, however, Harry Crosby met Josephine Noyes Rotch, whom he would call the "Youngest Princess of the Sun" and the "Fire Princess." She was descended from a family that first settled in Provincetown on Cape Cod in 1690. Josephine would inspire Crosby's next collection of poems called Transit of Venus. Miss Rotch was twenty, ten years younger than Harry. The two fell in love. In a letter to his mother, dated July 24, 1928, Crosby wrote: I am having an affair with a girl I met (not introduced) at the Lido. She is twenty and has charm and is called Josephine. I like girls when they are very young before they have any minds. Josephine and Harry had an ongoing affair until she married, when it ceased. Then Josephine Bigelow's new husband got busy with school, and Josephine contacted Harry again. Their affair rekindled, they traveled to Detroit and checked into an expensive, $12 a day hotel as husband and wife. For four days they took meals in their room, smoked opium, battled, and made love. On December 7, 1929, the lovers returned to New York where they agreed that Josephine should return to Boston to her husband. But on December 9 she had delivered a 36-line poem to Crosby who was staying with Caresse at the Savoy-Plaza Hotel. The last line of the poem is: Death is our marriage. On December 9, Harry Crosby made the following entry into his notebook: One is not in love unless one desires to die with one's beloved. There is only one happiness it is to love and to be loved. These are Crosby's very last entries into his journal. On December 10, 1929, in an apparent suicide pact, Harry was found in bed with a .25 caliber bullet hole in his right temple next to Josephine, who had a matching hole in her left temple. Harry was still clutching the pistol in one hand, Josephine in the other. Harry apparently shot Josephine and then, according to the coroner, several hours later, he shot himself. After Harry Crosby's suicide, Caresse continued her writing and publishing work at Black Sun. She also established Crosby Continental Editions, a book company that published paperback books by Ernest Hemingway, William Faulkner, Dorothy Parker, among others. In 1937, at age 47, she married Selbert Young, a football player nearly twenty years her junior. She bought and renovated Hampton Manor, a ruined but splendid home in Bowling Green, Virginia. She opened an art gallery in Washington D.C. and started Portfolio, a magazine about art and literature. She also was politically active and founded the organization Women Against War. She later bought a castle north of Rome that gave her the title of Principessa, and later mountain-top retreats in Cyprus and Delphi. Thus she had homes in Bowling Green, Virginia, in Washington, D.C., a sprawling apartment at 137 East Fifty-Fourth Street in New York City, as well as her residences in Europe. Henry Miller and Opus Pistorum In Paris during 1933, Caresse had met Henry Miller. When he returned to the U.S. in 1940, he confessed to Caresse his lack of success in getting his work published. Miller's autobiographical book Tropic of Cancer was banned in the U.S. as pornographic, and he could get no other work published. She invited him to take a room in her New York apartment where she infrequently lived, which he accepted, though she did not provide him with money. Desperate for cash, Miller fell to churning out pornography on commission for an Oklahoma oil baron, but after two 100-page stories that brought him $200, he could do no more. Now he wanted to tour the United States by car and write about it. He got a $750 advance, and persuaded the oil man's agent to advance him another $200. He was preparing to leave on the trip but still have not provided the work promised. He thought then of Caresse Crosby. She was already pitching in ideas and pieces of writing to Anaïs Nin's New York City smut club for fun, not money. Caresse was facile and clever, wrote easily and quickly, with little effort. Caresse accepted Henry's proposal. She wrote the title given her by Henry Miller "Opus Pistorum" at the top, and started right in. Henry left for his car tour of America. Caresse churned out 200 pages and the collector's agent asked for more. Caresse's smut was just what the oil man wanted-no literary aspirations-just plain sex. In Caresse the agent had found the basic pornographic Henry Miller. Caresse churned out another 200 pages, spending her time writing while her husband, Bert Young, fell into a drunken stupor every night. In her diary, Anaïs Nin observed that everyone who wrote pornography with her wrote out of a self that was opposite to her or his identity, but identical with his desire. Polly or Caresse experienced years of social constraints imposed by her upper-class association in New York. She had a doomed and troublesome romanticism with Harry Crosby. She participated in a decade or more of intellectual lovers in Paris during the 1920s. Perhaps it was a release for Caresse just to take love as casual lust and let it go at that. In 1950 Caresse divorced Bert Young and moved to Italy where she planned to create an artists colony. She published an autobiography in 1953 called The Passionate Years. Caresse died in relative obscurity in 1970, but she lived long enough to see the bra go through a number of transformations and become immensely popular all over the world. All kinds of bras have been created for every conceivable purpose, to do all the things that corsets have done in previous generations: minimize, uplift, show cleavage, maximize, or plain show off. Training bras for newly developing young girls seem like an oxymoron, and in reality aren't really meant for support as much as for camouflage. Jogging or sports bras are a more recent innovation for the woman who wants to work out, and some are meant to be worn as outerwear. Statistics show the average American woman today owns six bras. Out of those six, one of is a strapless bra and one is a color other than white. Despite all of the many advances and improvements in brassieres, perhaps a Surgeon General's warning is still required. In 1994, Berbel Zumner, age 23, was walking through a park in Vienna. Berbel had large breasts and wore a brassiere with underwire support to support her ample frame. She was killed when lightening struck her brassiere. A movie about Harry and Caresse is said to be in development by Fine Line Features. Only a director has been attached to the project, and no completion date has been set. By Brian Phelps Licensed for other's use under the GNU Free Documentation License (GNU FDL or simply GFDL). References and Sources American Heritage of Invention & Technology, Spring 1997, Volume 12/Number 4 Daily Record (Scotland) 21 October 1994 Mary Phelps Jacob Inventor of the Week Archive November 2001 (December 2003) "Caresse Crosby, Infield." Cosmic Baseball Association, 1998 (December 2003) "The Brassiere." Useless Information. (December 2003) Bra sizes Sizes.com July 11, 2001 (June 2004) Edward Germain, Editor, Harry Crosby, Shadows of the Sun: The Diaries of Harry Crosby. Santa Barbara, California: Black Sparrow Press. 1977. Geoffrey Wolff, Black Sun. Random House: New York. 1976. Shelley Cox, "Introduction: The Black Sun Press," ICarbS 3:2 (1977), 3-4. Ethlie Ann Vare and Greg Ptacek. Patently Female (John Wiley, 2002) p. 134-139. Caresse Crosby The Passionate Years (Ecco Press). A Brief History Of The Nipple, by Amil Niazi. November 15, 2005 (December 21, 2005)
@1 [12973] [S422]
@1 [5412] [S423]
@1 [5414] [S422]
@1 [5415] [S80]
William Francis (Reilly) Riley / Mary Jane Clark
[14521]| Husband: William Francis (Reilly) Riley | |||
| Born: | 16 May 1862 | at: | Galway, Galway, Ireland |
| Married: | 13 Mar 1889 | at: | Roslyn, Kittitas, Washington |
| Died: | 26 Jun 1945 | at: | Walsenburg, Huerfano, Colorado |
| Father: | |||
| Mother: | |||
| Notes: | [6743] | ||
| Wife: Mary Jane Clark | |||
| Born: | 21 Apr 1873 | at: | Pittsburgh, Allegheny, Pennsylvania, USA |
| Died: | 2 Jan 1967 | at: | Walsenburg, Huerfano, Colorado |
| Father: | |||
| Mother: | |||
| Notes: | [7428] | ||
| Children | |||
| Name: | Bertha Martha Riley [7430] | ||
| Born: | 5 Sep 1890 | at: | Newcastle, Kittitas, Washington |
| Died: | 1973 | at: | Neosho, Newton, Missouri, USA |
| Spouses: | |||
| Name: | William Francis Riley [7429] | ||
| Born: | 8 Jan 1894 | at: | Rich Hill, Bates, Missouri, USA |
| Died: | 6 Nov 1922 | at: | Walsenburg, Huerfano, Colorado |
| Spouses: | |||
| Name: | Robert Clark Riley [7431] | ||
| Born: | 18 Sep 1896 | at: | Pictou, Huerfano, Colorado |
| Died: | 9 Apr 1992 | at: | Walsenburg, Huerfano, Colorado |
| Spouses: | |||
| Name: | Evelyn Maria Riley | ||
| Born: | 17 Nov 1907 | at: | Maitland, Huerfano, Colorado |
| Married: | at: | ||
| Died: | 4 May 1945 | at: | Creston, Union Iowa |
| Spouses: | George Ernest Bartle | ||
Pedigree Chart for: William Francis (Reilly) Riley
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| | /--
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| \--
|--William Francis (Reilly) Riley
| /--
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| | \--
\--
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\--
\--
Pedigree Chart for: Mary Jane Clark
/--
/--
| \--
/--
| | /--
| \--
| \--
|--Mary Jane Clark
| /--
| /--
| | \--
\--
| /--
\--
\--
[14521] Copy of marriage certificate in family file. Recorded in Book B, pg 16, Kittitas County, Washington
[6743] William came to America in 1874. On his citizenship papers, the last name was misspelled Riley instead of Reilly and it was continued to be spelled that way. U.S. Census 1900, Walsenburg, Huerfano, Colorado, Sheet 26 Riley, William, Head 38 11 Ireland Mary Wife 27 11 PA 3 3 Bertha Dau 9 MO Willie Son 6 MO Robert Son 4 CO U.S. Census 1910, Walsenburg, Huerfano, Colorado, Sheet 9A Riley, William Head 47 21 Miner Mary Wife 37 5 4 Scotland MD Bertha Dau 19 WA Willie F. Son 16 MO Robert Son 13 CO Evala Dau 3 CO Copy of death certificate in family file, Informant: Mary Riley, wife. William and Mary are buried in the Masonic Cemetery, Walsenburg, Colorado
[7428] Copy of death certificate in family file. Informant: Mrs. Bertha Merritt, daughter. Mary is buried in the Masonic Cemetery, Walsenburg, Colorado.
[7430] Bertha is buried at Masonic Cemetery, Walsenburg, Colorado.
[7429] Veteran First World War. Pvt. ICL. Gen Hosp 21 Buried at Masonic Cemetery, Walsenburg, Colorado
[7431] Robert is buried at Masonic Cemetery, Walsenburg, Colorado.
William Henry Clagett / Mary Adele Clare
| Husband: William Henry Clagett | |||
| Born: | 1827 | at: | |
| Married: | at: | ||
| Died: | 1892 | at: | Washington, D.C., USA |
| Father: | Darius Clagett | ||
| Mother: | Providence Dorsey Brice | ||
| Wife: Mary Adele Clare | |||
| Born: | at: | ||
| Died: | at: | ||
| Father: | |||
| Mother: | |||
| Children | |||
| Name: | Maurice Joseph Clagett | ||
| Born: | at: | ||
| Married: | at: | ||
| Died: | at: | ||
| Spouses: | Emma Louise Noble | ||
Pedigree Chart for: William Henry Clagett
/--John Clagett
/--Walter Clagett
| \--Sarah 'Sary' Magruder
/--Darius Clagett
| | /--
| \--Martha Williams
| \--
|--William Henry Clagett
| /--
| /--John Brice IV
| | \--
\--Providence Dorsey Brice
| /--
\--Sarah Lane
\--
Pedigree Chart for: Mary Adele Clare
/--
/--
| \--
/--
| | /--
| \--
| \--
|--Mary Adele Clare
| /--
| /--
| | \--
\--
| /--
\--
\--
Orson Clinton Loveland / Mary Isabelle Gardner
| Husband: Orson Clinton Loveland | |||
| Born: | 25 Jun 1855 | at: | Bountiful, Davis, Utah, United States |
| Married: | 6 Mar 1879 | at: | Salt Lake City, Salt Lake, Utah, United States |
| Died: | 30 Jan 1924 | at: | Honeyville, Box Elder, Utah, USA |
| Father: | Chester Loveland | ||
| Mother: | Fannie Amy Call | ||
| Notes: | [10427] | ||
| Sources: | [10428] | ||
| Wife: Mary Isabelle Gardner | |||
| Born: | at: | ||
| Died: | at: | ||
| Father: | |||
| Mother: | |||
| Children | |||
Pedigree Chart for: Orson Clinton Loveland
/--Levi Loveland
/--Chauncey Loveland
| \--Esther Hills
/--Chester Loveland
| | /--Joseph Graham
| \--Nancy Graham
| \--Nancy Sanderson
|--Orson Clinton Loveland
| /--Joseph Call
| /--Cyril Call
| | \--Mary Sanderson
\--Fannie Amy Call
| /--Joseph Call
\--Sally (or Sarah) Tiffany
\--Rebecca Ellis
Pedigree Chart for: Mary Isabelle Gardner
/--
/--
| \--
/--
| | /--
| \--
| \--
|--Mary Isabelle Gardner
| /--
| /--
| | \--
\--
| /--
\--
\--
[10427] Orson additional wife listed as Laura Eliza Neely Hunsaker.
@1 [10428] [S44]
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